For anyone like me who only knew Orozco by his murals in the Hospicio Cabañas and the Palacio de Gobierno in Guadalajara, this exhibition shows you Orozco from every angle: from his "House of tears" watercolors of prostituting women to his sketches of the Mexican revolution to the estudios for practically every mural he has painted.
His unique sense of color (dark, bold, reds and grays) and of the human form is what impressed me most. I took some illegal photos (without flash, of course) to catch a few different areas of his work shown. To read about Orozco and the exhibit in Spanish with English translation, click here for a PDF of the catalog.
Here are some illegal and not especially color-accurate takes from the exhibit José Clemente Orozco, Pintura y Verdad (click to enlarge):
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnDGa3Odl4sOdIb2CLUAoI1Id9GOKJmb9MVsm8rngdDj1_CF-zjvCQ67jQ3De8qR8tuRqaddxlh6rQeQ5aeeQtrKtd7o24VvOjOwCZaaEgWVxXlOZtybXPxi5b6wbFlXG2uzyS4xHVf_E/s320/Orozco4.jpg)
Los Muertos.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVw7J_p54l0SGrCOdO5Ug-8nMd_cRhi05uTBAEZstHwb5rkfaHpWNLxqvAgvfPlu-PBnTYbo_annM1ADEoGxZE16QTDjb4q2eJhYYn4gdZdpGvs778ru25GuNJ9ynK-Vr-1T5mgf5o8jY/s200/Orozco2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhumBbsCQRoUIxfSYJXauhgTQ6k69T8yx_Jv0cgFqmouBwUuCZQx7D3ucEF1vLlxvL247aPMQdCbZC1hMBs78E3AQ6UWONyBvznQ-UAop2sqajiNv_paPfURQW8SVt8TSUQvBjdeQu6bk8/s200/Orozco3.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPzNqYLAXMRp_4MOXJcWL-7HlTJ8GAG3g4mTEuZoWVUR4DD6YezrqmmbGiQAxjmss4yyEyJVzyyXjUvqzrWwq85pTl2An8AiyVi3UuExUBBZuFxKtHTZTPLw49_CTKfmlWc4euZZWx764/s200/Orozco1.jpg)
To read more about Orozco in English, click here for a good article published on Mexconnect.
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